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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국연극교육학회 연극교육연구 연극교육연구 제1권 제17호
발행연도
2010.1
수록면
5 - 50 (46page)

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The existing research on discussing《A Midsummer Night's Dream》has on its hands. It must be stood. The disorder of terms are needed. So we note the circular motion of Deleuze's virtual concept and actual concept. Which is forest - a place in《A Midsummer Night's Dream》? It is where is the infinite virtual of love, the love of the swarming leaf. Forest - a place where is not belonging to the subject of imaginary space beyond reality. It is where is the infinite virtual of love, the love of the swarming leaf. The virtual dimension is realistic. And the virtual place of love is the very new chapter of life, and soon the womb is the earth. So the forest - a place where is a life without organs the body bearing life. In here, love is given problems, as well as answer. This raises existential questions about love, Shakespeare's dream, a space of a chapter that forests is a place. Forest - a place in the love of a transcendent dimension to the implementation of the idea rather than a realistic level, in terms of virtually infinite number of swarming as I tend to correspond to, the happened to any one of these, elevated levels of actual love is established. As we assume that the composition of the existing lines of research, we build on its hands. In addition, through a discussion of Deleuze's ontology and time theory and from the existing order of life, the virtual things are released and principles of life are to be visible as inorganic and impersonal power. This is the very circulation of actual and virtual things and the type of exercise, namely, the becoming place of ontological questions raised in the forest of《A Midsummer Night's Dream》. In this papers, I describe factually infinite love in virtual dimension. That is not fantastic love distorted in reality and not dreamy love which is limited in person virtually and not transcendent love. Soon it is not the distorting love of the surreal dimension in reality. It is to describe factually surreal love in reality virtually. And the infinite circulation of virtual and actual things, namely, I discuss the difference and repetition of the exercise.

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