지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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In a twelve-tone context, the significance of partitioning has been discussed by many scholars through multifaceted approaches since partitioning structures the linear as well as various dimensions of serial works. In Arnold Schoenberg's mature serial works, hexachordal partitioning, frequently associated with combinatoriality, has been considered as a significant property that implies a sense of harmonic motion and thus contributes to the systematic coherence of musical events.
The partitioning of a twelve-tone row brings out set classes that are key components of the row structure. When Schoenberg partitions given tone rows, he preserves both the set classes and the ordering numbers among voices. This highly complicated partitioning method is called as "Isomorphic Partitioning." The purpose of this article, therefore, is to reveal various dimensions inherent in Schoenberg's serial works by examining partitioning methods presented in Schoenberg's Piano Piece Op. 33b, The Second String Quartet Op. 37, and The Fourth String Quartet Op. 30.
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