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자료유형
학술저널
저자정보
오은영 (한국외국어대학교)
저널정보
한국외국어대학교 영미연구소 영미연구 영미연구 제34권
발행연도
2015.1
수록면
79 - 105 (27page)

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Jean Rhys's many short stories, published in the 1960s and 1970s, are set in the turn of the century and the early 20th century when the British empire had spurted to educate the British people to embody its imperial ideology. Among them, “Pioneers, Oh Pioneers” and “Fishy Waters,” included in Sleep If Off, Lady (1976), capture the moment that British colonists living in Roseau of Dominica get isolated and deteriorated inside their soul. The moment is revealed through colonists's encounter with strangers such as Mr Ramage in “Pioneers, Oh Pioneers” and Jimmy Longa in “Fishy Waters.” Zygmunt Bauman explains in Modernity and Ambivalence that strangers are, in principle, unplaceable in between the subject and the other. Thus strangers are the ones that can question the very principle of the opposition of the subject and the other which should be clearly placed under the social norms of the European colonialists. This paper examines how the British colonists presented in these two stories respond to these strangers. Rhys portrays the white colonial society through Rosalie's point of view, a little girl aged 9, to reveal its blindness while applying the detective narrative in “Fishy Waters” to expose its doubleness. The narrative of each story interestingly reveals the monstrosity of British colonists in the process of investigating hybrid and seemingly monstrous strangers. In doing so, Rhys criticizes the British imperialism by disclosing the way in which the intolerance of anything different and unplaceable lead people to violence and blindness.

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