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논문 기본 정보

자료유형
학술저널
저자정보
나진환 (성결대학교)
저널정보
한국연극교육학회 연극교육연구 연극교육연구 제29권 제29호
발행연도
2016.1
수록면
147 - 172 (26page)

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This paper is a study of specific creation Tactics of directing in terms of empirical knowledge based on performance studies of ‘Ethnoscenology’ in the midst of unique features of creation revealed in Peter Brook’s ≪Mahabharata≫, that is how he takes advantage of the cultural elements of India which are outside cultural elements in the European cultural elements. He identified the cultural materials that become the source of play in the framework of the concept of 'culture of links’ and utilized them as theatrical materials. In other words, through long time ‘practical research’ with his actors in International Centre for Theatre Research, Peter Brook became to reach to the area called 'culture of links’ and based on their methodological foundations, he created ≪Mahabharata≫ by dramatizing the Indian epic ≪Mahabharata≫. Peter Brook prepared the tactic of inducing the audiences who came to see the show to experience the journey of space and the uniqueness. In other words, going to watch the show is to participate in the journey of space. And through the audiences’ experience of the body they experience in the journey of the space involved and through the uniqueness of the stage space, they change the consciousness of the body. And through such change, in accommodating exotic materials, they become to escape from the framework of the existing recognition and are invited to the prospect of new recognition. Such tactics of him can be confirmed in the journey of space going into quarries in Avignon and in the journey of New Yorkers going to Brooklyn. And they can be also confirmed in intense space of the quarries in Avignon and in the space of Bouffes du Nord Theatre having traces of time seared with the fire as well as cherished maturity, and also in the Majestic Theatre in Brooklyn with traces of maturity of years as in the theater. In the main text, we confirmed the effects of these tactic of Peter Brook in the study of the body in rite of passage, one category of the tactic of interculturalism being proposed by Michael Gissenwehrer and 'Signal' study of physiological concept. After all, the tactics adopted for ≪Mahabharata≫ of Peter Brook are balance of heterogeneous and intimate things as well as experience of special implication of space. In other words, his tactic can be seen as to stimulate and encourage the Europeans to overcome disparate elements of foreign culture and at the same time to stimulate extension of their recognition as well as objectify the frame of their recognition and width of thinking through those disparate cultural elements, by building Peter Brook’s shining image of the universal themes in the Western tradition in the midst of solid recognition structure of Shakespeare.
#Peter Brook #Marabharata #Ethnoscenology #Empirical Knowledge #Tactic of directing #culture of links #intercultural theatre

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참고문헌 (18)

참고문헌 신청
나진환 / 2010 / 연극무용(Theater-Dance)의 행동구조에 있어서 말(Parole)의 의미와 역할 / 연극교육연구 16:67~95 google schola Ariane Mnouchkine / Le besoin d'une forme / théâtre/public (46-47) google schola Eliade / 1976 / Myths, Rites, Symbols / Harper & Row google schola Eugenio Barba / 1989 / Théâtre eurasien / Bouffonneries (22-23) google schola Jean Claude Carrière / 1985 / Chercher le coeur profond / Alternatives théâtrales (24) google schola

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