지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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Oe Kenzaburo has been deeply influenced by William Blake, an English poet of the eighteenth and nineteenth centuries. He resorted to Blake especially after his first son was born severely handicapped. It is extraordinary to see how much he has been indebted to Blake. His Rouse Up O Young Men of the New Age! is literally filled with quotations from William Blake’s poems and engravings. It is, to use Julian Kristeva’s phrase, “a mosaic of quotations.” Oe absorbs and transforms Blake’s text to a great extent in which his text is almost saturated by Blake’s. This study examines “Songs of Innocence, Songs of Experience,” the first story in the collection, in light of what Kristeva calls intertextuality and brings into discussion the ethical dimension of intertextuality Oe makes use of. It highlights the way Oe reads Blake and draws connections between Blake’s poems and his own life particularly regarding his handicapped son with a severe brain damage. Reading Blake was for Oe not only a way to survive the traumatic experience of his own family but a way to find a new style through which he came to terms with his writing profession. Oe has drawn connections between his personal and professional life and Blake’s poems of which he thinks as “some marvelous encyclopedia.” He found in Blake “some kind of prophetic guidance” for his own life.
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