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The Noonchi Culture in Yoojeong Kim's novels- Focused on 「Spring·Spring」 and 「Camellias」
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김유정 소설에 나타난 눈치 문화 -「봄·봄」, 「동백꽃」을 중심으로

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Type
Academic journal
Author
Lee Gyujeong (한국외국어대학교)
Journal
한중인문학회 한중인문학연구 한중인문학연구 제65호 KCI Accredited Journals
Published
2019.1
Pages
79 - 100 (22page)

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The Noonchi Culture in Yoojeong Kim's novels- Focused on 「Spring·Spring」 and 「Camellias」
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This study aims to analysis noonchi culture, which is shown in the 「Spring·Spring」, and 「Camellias」 by Yoojeong Kim’s novel, according to the context. When Korean learners study the Korean language, as the culture plays an important role, understanding Korean culture is significant as much as the Korean language. Especially, Korea is a collectivism cultural area and has been affected by the Confucius cultural area. Therefore, Korean people value the relationship among people, and Korea has a social and cultural specialty to save their face. Due to the sociocultural specialty of Korea, noonchi has developed to hide people’s intention, but express their intention confidentially, as well as catch each other’s intention in the context. In this regard, Korean learners are needed to understand and learn the noonchi culture, because it is not possible to communicate with Koreans when the learners don’t understand the noonchi culture. This study examines the context of 「Spring·Spring」, and 「Camellias」 into linguistic context, situational context, and sociocultural context. Firstly, as for the linguistic context, people give and take noonchi through implicative speech as a perspective of the pragmatics, and express ironic expressions that are opposite of their intention. Also, when people give and take noonchi, it can be expressed through non-verbal action, which can indirectly deliver their intention characters of the two novels show their relation between ‘mareum(landlord) and farmhand/tenant.’ In the situational context, sometimes the farmhand gave noonchi to the landlord because of the purpose and contents and fell the relationship apart in the novel. Sometimes another character interrupted two characters, so they could not but express their intention indirectly not to express directly. In other words, giving and taking noonchi can differ to the interaction of the relationship. Lastly, in the sociocultural situation, when the tenant read the mareum‘s noonchi continuously, or main characters of 「Camellias」 felt distance between them, because of the social reality in 1930s, when was the Japanese colonial period, so noonchi situation happened. It is expected that this study can contribute to the Korean learners to understand noonchi culture as well as the good communication.

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