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논문 기본 정보

자료유형
학술저널
저자정보
Masahide (상명대학교)
저널정보
일본어문학회 일본어문학 일본어문학 제92호
발행연도
2021.1
수록면
459 - 481 (23page)

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초록· 키워드

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This article analyses three 90’s films featuring Koreans in Japan: All under the Moon, GO, and Blood and Bones. All under the Moon represents the new images of Koreans in Japan, not found in the preceding films; it describes the matters surrounding Koreans in Japan in a comical and self- critical fashion. In the story of GO, a Korean in Japan falls in love with a Japanese high school female and overcomes the prejudice to Koreans in Japan. This story seems to be related to the state of things of the era; Japan and the world had been globalised in the post-Cold War era, and the concept of co-existence with others became spread gradually in the world. In Blood and Bones, the father and his child, both Korean in Japan, are completely different, but they stick to individuals. This attitude is observed in the first, the second, and the third generations in the three films. It can be viewed as a resistance of Koreans in Japan, who struggled with abstract ideals such as nations and peoples; they sometimes found themselves in a situation where they had to lie or a situation where they had to sacrifice themselves. Their orientation to empathy as universal humans surpassing such differences is deeply reflected in the three films examined.

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