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Active Receiver: Rancière's Audience Emancipation and Shakespeare on the Korean Stage
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능동적인 수용자: 랑시에르의 관객론과 한국 연극의 셰익스피어 수용

논문 기본 정보

Type
Academic journal
Author
Cho Seong-kwan (경희대학교)
Journal
한국비평이론학회 비평과이론 비평과이론 제26권 제1호 KCI Accredited Journals
Published
2021.1
Pages
167 - 184 (18page)

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Active Receiver: Rancière's Audience Emancipation and Shakespeare on the Korean Stage
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Although Korea might have to learn how to interpret and stage Shakespearean plays from the Anglophone world, the learning always generates a distance between the pupil and the master. Shakespeare reception on the Korean stage has been attained in the midst of tension between her local theatrical style and the otherness of Shakespeare for Korean culture. It is impossible to translate Shakespearean poetry into non-English language without any destruction. Shakespeare has become a part of Korean theatre through a historical practice of incessant distancing, meanwhile Korean theatre could be recognized by the world with Shakespeare performances. Such historical practice is suggested as filling the hiatus. It emerges as an inevitable disjoint when Shakespeare is recontexualized in Korea, and something that should be alien to the original text appears by chance in the hiatus. Therefore, the disjoint is rather organic. The hiatus which is not removable is a condition for what is to come.
#랑시에르 #셰익스피어 #틈 #관객 #수용

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References (13)

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랑시에르, 자크 / 2016 / 해방된 관객 / 현실문화 google schola 바디우, 알랭 / 2010 / 비미학 / 이학사 google schola 샌더스, 줄리 / 2019 / 각색과 전유 / 동인 google schola 이미원 / 2001 / 세계화 시대, 해체화 연극 / 연극과 인간 google schola Bharucha, Rustom / 1984 / Collision of Cultures: Some Western Interpretations of the Indian Theatre / Asian Theatre Journal 1(1):1~20 google schola

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