지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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등록된 정보가 없습니다.
목차
Ⅰ. 죄수 공예가에서 혁신적인 사업가까지
Ⅱ. 민속 예술의 시연과 재구성
Ⅲ. 바순다라 테와리와 명멸하는 빛
Ⅳ. 결론
Abstract
참고문헌 (30)
참고문헌 신청
Vishakha N. Desai / 2007 / Asian Art History in the Twenty-First Century / Sterling and Francine Clark Art Institute
Carol Breckenridge / 1989 / The Aesthetics and Politics of Colonial Collecting: India at World Fairs / Comparative Studies in Society and History 31(2):195~216
Bernard Cohn / 1996 / The Transformation of Objects into Artifacts, Antiquities, and Art in Nineteenth-Century India, In Colonialism and its Forms of Knowledge / Princeton University Press :57~75
Memo from Ted Tanen to Festival Program Organizers dated March 1, 1985, Phillips Collection Archives
Naazish Ata-Ullah / 1998 / Stylistic Hybridity and Colonial Art and Design Education: A Wooden Carved Screen by Ram Singh, In Colonialism and the Object: Empire, Material Culture and the Museum / Routledge :68~81
Carol Breckenridge / 1989 / The Aesthetics and Politics of Colonial Collecting: India at World Fairs / Comparative Studies in Society and History 31(2):195~216
Bernard Cohn / 1996 / The Transformation of Objects into Artifacts, Antiquities, and Art in Nineteenth-Century India, In Colonialism and its Forms of Knowledge / Princeton University Press :57~75
Memo from Ted Tanen to Festival Program Organizers dated March 1, 1985, Phillips Collection Archives
Naazish Ata-Ullah / 1998 / Stylistic Hybridity and Colonial Art and Design Education: A Wooden Carved Screen by Ram Singh, In Colonialism and the Object: Empire, Material Culture and the Museum / Routledge :68~81
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