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논문 기본 정보

자료유형
학술저널
저자정보
정정희 (성균관대학교) 임은혁 (성균관대학교)
저널정보
한국의상디자인학회 한국의상디자인학회지 한국의상디자인학회지 제23권 제1호
발행연도
2021.2
수록면
1 - 18 (18page)

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초록· 키워드

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The purpose of this study is to analyze and understand the approach of critical fashion by comprehending the appropriation of art as a sociocultural phenomenon that influences contemporary fashion. This study inquired into the relevant literature to explain the theoretical background behind critical fashion, and conducted a case study using exhibition catalogues, exhibition works, articles, fashion magazines, and fashion-related websites in order to examine cases of appropriation strategies. As a subversion of meaning by using an existing transposable object image to deliver an experience unlike the actual image, subversive appropriation in critical fashion takes existing things as they are and rearranges them with the purpose of subverting social values while having its subversive style of appropriation. Referring to a style that focuses on labelling the distance between the subject, that refers and that which is referred to, referential appropriation has been reprogramming existing things with an internal and introspective attitudes. In other words, from an exploitative style of appropriation aimed at expanding the meaning with found in objects by avant-garde fashion designers, to a subversive style of appropriation aimed at subverting meanings with transposable objects by conceptual fashion designers, there has been a change toward the referential style of appropriation aimed at expanding artistic forms with created objects critical fashion designers.

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Abstract
Ⅰ. 서론
Ⅱ. 이론적 배경
Ⅲ. 크리티컬 패션의 오브제 전유 전략
Ⅳ. 결론
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