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Subject

A Study on Zhuangjin(壯錦) Weavint Techniuqe of Guangxi(廣西) province, China
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중국 광시(廣西) 지역의 장금(壯錦) 제직 기술

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Type
Academic journal
Author
Seon Yong Lee (전통섬유복원연구소) Yeon Ok Sim (한국전통문화대학교)
Journal
The Korean Society of Costume Journal of the Korean Society of Costume Vol.70 No.6(Wn.229) KCI Accredited Journals
Published
2020.12
Pages
93 - 104 (12page)
DOI
10.7233/jksc.2020.70.6.093

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A Study on Zhuangjin(壯錦) Weavint Techniuqe of Guangxi(廣西) province, China
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Abstract· Keywords

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Among Chinese minorities, Zhuangzu(壯族) is the only minority who has weaved one of the four great silks of China, Zhuangjin(壯錦). Zhuangjin has a long history and an important position among Chinese traditional textile crafts. Several looms have been used to weave Zhuangjin, including Zhurongji(竹笼机), which has been used in Nanning(南寧), Xincheng(忻成), and Binyang(宾阳). Each province has a characteristic type of loom, such as Rongzhou(笼州) loom and Jingxi(靖西) loom. All of the looms have a simple weaving structure, but each forms patterns in a different way. For example, the Zhurong(竹笼) of Zhurongji and the Hwabon on a Tangrou of Rongzhou loom move in a circle to make patterns, unlike other pattern-weaving looms. Although the details of structure and tools are similar, each province has unique local features. Zhuangjin has composed many basic geometric patterns that represent nature and elements of foreign culture including images like flower, ear, phoenix, dragon, lion, butterfly, bird, and treasure. Each pattern has been used to symbolize blessings like fecundity, luck, longevity, and good harvest. As such, Zhuangjin is an original Zhaungzu culture that has been condensed into a practical, artistic, decorative pursuit. Because the Zhuangjin loom of Zhuangzu has a unique structure that cannot be found elsewhere, it is especially significant in the history of loom development.

Contents

ABSTRACT
Ⅰ. 서론
Ⅱ. 좡족과 장금
Ⅲ. 장금 제직 직기의 구조 및 특성
Ⅳ. 장금 문양의 조형성
Ⅴ. 결론
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