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Aesthetic Identity and Symbolism of Persian Visual Culture: Focusing on the Development of Iranian Film Industry
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페르시아 영상문화의 미학적 정체성과 상징성 분석: 이란영화산업의 발전과정을 중심으로

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Type
Academic journal
Author
Kim Joong-Kwan (동국대학교(서울))
Journal
Center for International Area Studies Journal of international area studies Vol.24 No.3 KCI Accredited Journals
Published
2020.7
Pages
55 - 78 (24page)
DOI
10.18327/jias.2020.7.24.3.55

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Aesthetic Identity and Symbolism of Persian Visual Culture: Focusing on the Development of Iranian Film Industry
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Abstract· Keywords

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This study evaluated the aesthetics of Persian culture through the analysis of the development in Iran"s film industry. In terms of the process of the film industry development, the characteristics of the image technique through the investigation of historical environments, the development and characteristics of the genre of modern film of the potential of the Iranian film industry as an assessment of Iran"s visual aesthetics were analyzed.
The Iran"s film was introduced in the Qajar dynasty by 1900, and developed with interacting with Europe. In 1930, the first silent movie ‘Abi and Rabi’ was produced. As Iran film industry has been under the censorship, which was a barrier to Western movies, but also was a supporter for the domestic film industry according to the era of economic growth within the oil boom.
Another feature of the Iranian film is the values of the Iranian tradition as the film producing in Iran is a public art. While focusing on the social functions of the realism and commercial perspectives of the West, the Iranian film has evolved into a new imaging technique of the "neorealism" and "minimalism" based on traditional Iranian literature.

Contents

I. 서론
Ⅱ. 영상예술 기법의 이론적 접근과 영화발전 단계
Ⅲ. 이란영화산업의 발전요소와 환경변화
Ⅳ. 이란 영상문화의 상징적 가치와 정체성 분석
Ⅴ. 결론
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UCI(KEPA) : I410-ECN-0101-2020-309-001106836