지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2013.3
- 수록면
- 143 - 171 (29page)
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초록· 키워드
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This article investigates the cultural irony of Confucian discipline set against the literary presentation of emotions, from the angle of cultural studies grounded on historical and philosophical approaches, literary text analysis, and gender criticism. First, it aims to explore how funeral oration legitimized the act of weeping for scholar-officials of Joseon and shows how gender was a key element in understanding the way emotional expressiveness was accommodated, represented, and articulated in the Confucian norm. Next, it examines how the level of emotional expressiveness of the funeral oration was closely linked to bloodline, physical and psychological distance, the nature of a relationship, and social context. Finally, it shows that mourning and sadness were deemed the purest and sincerest expression of authentic feeling, as seen through its close association with bodily reactions, and that the funeral oration served as an exhibition of the interaction of human feelings.
목차
Abstract
Introduction: Irony of the Treatise of Human Nature in Confucian Cultural Context through Literati Writings
The Neo-Confucian Curb on Emotion and the Politics of Emotional Expression
The Funeral Oration as a Nexus for Exchanging and Confessing Feelings of Sorrow
The Physicality of Sadness Expressed through Bodily Pain
Conclusion
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UCI(KEPA) : I410-ECN-0101-2020-911-000946576