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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2014.3
- 수록면
- 157 - 176 (20page)
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초록· 키워드
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The picturesque theme of Hyewon jeonsincheop 蕙園傳神帖 (Collected Paintings of Hyewon Shin Yun-bok) can best be described as a critical ridicule that makes use of the duplex placement technique. The duplicity of an abstract icon—whereby two opposing codes are conjoined with one abstract icon, i.e., one abstract icon implying two codes—is one of the more effective methods used to portray such a theme. For example, widows, yangban, Buddhist monks, ladies, female servants, and others are the original icons, but through anti-Confucian, antireligious, and amoral acts are construed as secondary abstract icons with lewd conduct, voyeurism, sexual harassment, aberration, and more. With the mechanism of the dual codes of one abstract icon, the criticism falls upon both of the two codes whereby Confucian ideology as doctrine and Confucian ideology as order (as implied by the icons) are lost. Shin did not just superficially express voyeuristic curiosity nor hedonic fantasy. His pictures include a certain critical mechanism, thus, there is much room to infer the spirit of the times in his world of painting.
목차
Abstract
Introduction
A Reference, Magritte’s Dépaysement and Métalangage
Duplex Placement: One Abstract Icon, Two Codes
Social Change in the Late Joseon Dynasty and the Rise of Mentalité
Conclusion : Ridicule as the Spirit of the Times
REFERENCES
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UCI(KEPA) : I410-ECN-0101-2020-911-000944901