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화면해설에서의 객관성과 인물의 심리 · 감정 표현: 배리어프리영화 『앙리 앙리』(Henri Henri)를 기반으로
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Are characters' mental states described objectively? Investigating an audio-described version of Henri Henri

논문 기본 정보

자료유형
학술저널
저자정보
이상빈 (한국외국어대학교)
저널정보
한국번역학회 번역학연구 번역학연구 제21권 제1호 KCI Accredited Journals
발행연도
2020.3
수록면
139 - 158 (20page)

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표지
화면해설에서의 객관성과 인물의 심리 · 감정 표현: 배리어프리영화 『앙리 앙리』(Henri Henri)를 기반으로
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초록· 키워드

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According to audio description (AD) guidelines, characters’ emotions and thoughts should be described as objectively as possible by using visual aspects of the screen. However, questions have been raised about both the dichotomy of ‘objectivity vs subjectivity’ and the possibility of objective descriptions of characters’ mental states. Against this background, the present study aims to show how characters’ mental states are described objectively in an AD movie and what kinds of writing methods are used to describe the mental states. For this purpose, a Korean AD version of Henri Henri (written by an experienced describer) was transcribed and analysed according to an adapted model from Palmer and Salway (2015). A total of 167 phrases associated with characters’ mental states were categorised into the following codes: (1) description of simple actions that imply mental states, (2) description of facial expressions, (3) modification of the description of actions (e.g., ‘walks cautiously’, ‘smiling in relief’), (4) description ending with -deut, -cheok, or -ji (in English, ‘as if to ...’ and similar expressions), (5) ‘direct’ description of particular mental states (e.g., ‘He was disappointed’), and (6) description with more than one code (e.g., ‘He can’t hide his disappointment, smiling vacantly’). The analysis showed that subjective descriptions of characters’ mental states often appeared in the movie and that Codes (1) to (5) were distributed almost evenly. This article concludes with brief discussion about the implications of the findings for AD theory and practice.

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1. 서론
2. 선행연구 검토
3. 분석대상 및 분석방법
4. 분석결과
5. 논의 및 결론
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Abstract

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