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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
중앙아시아학회 중앙아시아연구 중앙아시아연구 제24권 제1호
발행연도
2019.1
수록면
57 - 84 (28page)

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This study derived the definition, meaning, and usage examples of the term genuflect in foreign fashion (胡跪) from the literature and examined the visual development patterns of Northern Buddhist culture. The word genuflect in foreign fashion refers to the half-kneeling posture of respect, with the left knee upright and the right knee bent to touch the floor. While this term had been frequently used in Chinese literature since the 3rd century, Chinese Buddhist monks, such as Daoxuan and Yijing, especially noted the term in the mid- and late 7th century and defined it as the manners of non-Chinese northern tribes(胡人), which were different from China’s traditions. The usage examples of genuflect in foreign fashion include the posture of respect toward Buddha and the posture used in a ritual, and such meanings are confirmed in visual materials as well. The traditions of this posture and term originating from India seem to have continued through Central Asia and early China; however, it developed in a different aspect in China. Among other statues, kneeling Bodhisattva with Hands in votive gesture is quite noteworthy, which was produced in rundplastik (round plastic), as it has no precedent in India or Central Asia. Interest in genuflect in foreign fashion grew after the mid-7th century and the posture became hugely popular because it was adopted as the posture of ordinary Buddhism worshipers. While it seems that this tradition from China has spread to Korea, the development of genuflect in foreign fashion in Korea was different from that in China, which seems to require more follow-up studies in the future. I hope that this study, which is the first study on genuflect in foreign fashion, would serve as an opportunity to take a step forward for the existing literature on the Goryeo dynasty’s kneeling Bodhisattva with Hands in votive gesture.

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