메뉴 건너뛰기
.. 내서재 .. 알림
소속 기관/학교 인증
인증하면 논문, 학술자료 등을  무료로 열람할 수 있어요.
한국대학교, 누리자동차, 시립도서관 등 나의 기관을 확인해보세요
(국내 대학 90% 이상 구독 중)
로그인 회원가입 고객센터 ENG
주제분류

추천
검색

논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국영미어문학회 영미어문학 영미어문학 제133호
발행연도
2019.1
수록면
265 - 282 (18page)

이용수

표지
📌
연구주제
📖
연구배경
🔬
연구방법
🏆
연구결과
AI에게 요청하기
추천
검색

초록· 키워드

오류제보하기
In the critical studies of Shaw's Pygmalion which tend to give the most highlight to the playwright's demythologizing rewriting of its mythic source, especially Eliza's transformation in comparison with the limited metamorphosis of her mythic model Galatea, the scientist Higgins' professional descendance from Pygmalion, an artist, has seldom been fully addressed despite the intriguing dramatic incongruity between their professional personas. This essay examines Shaw's reinvention of Pygmalion the mythic sculptor as Higgins, a phonetic scientist. While what is central to Pygmalion's interaction with his creation is the male artist's erotic romanticization of a passive statue-woman, which is fundamentally motivated by some artistic 'feeling,' the essay argues Higgins' characterization as the deemotionalized "energetic scientific type...careless about himself and other people including their feelings" serves to undo the emotional foundation making up the romanticized mythic artist. Shaw ultimately deromanticizes and deeroticizes Pygmalion's romantic and erotic dynamic with Galatea which is quintessentially amorous and private, rewriting it as the socially driven modern project of a scientist "to take a human being and change her into a quite different human being by creating a new speech for her" for the purpose of "filling up the deepest gulf that separates class from class and soul from soul."

목차

등록된 정보가 없습니다.

참고문헌 (0)

참고문헌 신청

함께 읽어보면 좋을 논문

논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!

이 논문의 저자 정보

최근 본 자료

전체보기

댓글(0)

0