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논문 기본 정보

자료유형
학술저널
저자정보
Sodahm Suzanne Shim (Ewha Womans University) Yoonhie Lee (Ewha Womans University) Chaeshin Yoon (Ewha Womans University)
저널정보
대한건축학회 ARCHITECTURAL RESEARCH ARCHITECTURAL RESEARCH Vol.21 No.3
발행연도
2019.9
수록면
79 - 90 (12page)

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The ephemeral and temporal nature of pavilions is the underlying motivation that led to the development of this paper. From the beginning of the industrial era through contemporary history, there have been many instances of architects attempting to rethink architectural design in the context of modern social, cultural, and technical imperatives. Today, the leading changes in humanity are accompanied by a revolutionary electronic digital medium. The pavilion has been in an amalgamation of architectural integration since the beginning of human history. World’s Fairs/Expos have, since their establishment, served as international presentations of goods and achievements of particular nations. They became a popular stage wherein potential architectural achievements were showcased through the evocative architecture of pavilions. Due to the pavilion’s “temporary nature,” its coverage includes various perspectives: social, historical, geographical, post-colonial, iconographical, temporal, and ephemeral. It has also served as a receptacle due to its representational value at a given time. The pavilion has offered architectural designers, clients, and visitors a place to use their imaginations. Moreover, the architect’s role in creating pavilions cannot be overestimated. Due to fact that they abound in symbolism, contemporary designs, and innovative solutions, pavilions often mirror modern mankind and plan for the next aesthetic revolutions and ideological architectural theories. To understand and appreciate architects’ original intentions with their pavilions, this paper focuses on noteworthy pavilions that were created from the beginning of industrialization through the present. It explores and discusses the pavilion’s characteristics, highlights the significance of its physical form as generated by a specific theme.
#Pavilion #Temporality #Transformative #World Fairs #Urban Art-Architecture Installation

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Abstract
1. INTRODUCTION: THE INFLUENCE OF FAIRS’ THEMES ON THE PAVILION
2. FOUNDATIONAL STUDY MEASURES: TRACKING THE FULL POTENTIAL OF PAVILIONS TO INFLUENCE ARCHITECTURAL DESIGNS
3. CASE STUDIES OF PAVILIONS SHOWCASED AT PREVIOUS WORLD FAIRS (EXPOS)
4. A CONTEMPORARY CASE STUDY: PAVILIONS AS INDIVIDUAL BRANDING DESIGNS
5. CONCLUSIONS: PAVILIONS AS EXPRESSION OF ARCHITECTURAL ASPIRATIONS AND PREVAILING PREFERENCES
REFERENCES

참고문헌 (25)

참고문헌 신청
Andrews, Peter Alford (1980). The Felt Tent in Middle Asia. University of London. google schola Bergdoil, Barry (2013). The Pavilion and the Expanded Possibil- ities of Architecture. DETAIL, n6. google schola Calney, Mark (2006). The International Centennial Exhibition of 1876. American Patriot History Project. google schola Cimadevilaa, Javier Estevez and Cesarb, Isaac Lopez (2015). The Palais des Machines of 1889, Historical-structural reflections. Universidade da Coruna, VLC arquitectura v2(2): 1-30. google schola Clarke, Joseph (2012). Iannis Xenakis and the Philips Pavilion. The Journal of Architecture, 17:2, 213-229. google schola

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