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학제간연구 과학기술학 뇌인지과학 기술정책 기타 복합학

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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
대한무용학회 대한무용학회논문집 대한무용학회논문집 제59권 제59호
발행연도
2009.1
수록면
21 - 35 (15page)

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The purpose of this study is to define the aesthetic quality through dance motion analysis of Shim Hwayeong Buddhist dance. This project will be a significant work not only for theoretical thesis and succession development, but also as an important first step for Shim Hwayeong Buddhist dance. The result of dance motion analysis is like the following. Firstly, Pyeong appeared 5 times, Hwak appeared 0 time, Gul appeared 0 times and Hap appeared 1 time; as for arm positions, high appeared 1 time, middle appeared 5 times and low appeared 0 time in Buddhist invocation beat. In Jajin Buddhist invocation, Pyeong appeared 0 time, Hwak appeared 9 times, Gul appeared 7 times, Hap appeared 5 times, high appeared 15 times, middle appeared 1 time and low appeared 6 times; in Taryeong beat, Pyeong appeared 8 times, Hwak appeared 23 times, Gul appeared 33 times, Hap appeared 12 times, high appeared 40 times, middle appeared 11 times and low appeared 14 times. In Jajin Taryeong, Pyeong appeared 0 time, Hwak appeared 9 times, Gul appeared 8 times, Hap appeared 1 time, high appeared 10 times, middle appeared 4 times and low appeared 4 times; in Shaman song beat, Pyeong appeared 5 times, Hwak appeared 32 times, Gul appeared 42 times, Hap appeared 10 times, high appeared 59 times, middle appeared 20 times and low appeared 4 times. Secondly, as for the result of foot motion analysis, Yeon appeared 6 times, Hoi appeared 0 time, bouncy walk appeared 0 time, Bijeongbipal appeared 0 time, high appeared 0 time, middle appeared 6 times and low appeared 6 times in Buddhist invocation beat; Yeon appeared 0 time, Hoi appeared 1 time, bouncy walk appeared 1 time, Bijeongbipal appeared 10 times and as for the position, high appeared 0 time, middle appeared 0 time and low appeared 10 times in Jajin Buddhist invocation. In Taryeong beat, Yeon appeared 28 times, Hoi appeared 3 times, bouncy walk appeared 2 times, Bijeongbipal appeared 24 times, high appeared 0 time, middle appeared 14 times and low appeared 52 times; in Jajin Taryeong beat, Yeon appeared 8 times, Hoi appeared 0 time, bouncy walk appeared 1 time, Bijeongbipal appeared 0 time, high appeared 0 time, middle appeared 0 time and low appeared 8 times. The simple dance motion, in the form of which most of the arm motions are placed and thrown about without getting entangled, is peculiar about Shim Hwayeong Buddhist dance; and it shows the beauty of temperance by remaining on top of one hand after throwing about. It represents the dance very close to the original, not artificially made, and has the beauty of slowness; shows natural beauty which emphasizes the natural tune in rhythm. Although it does not have the brilliant technical skill and splendid foot play of showing the tip of socks like the static Buddhist dance Jangsam throw-about, Shim Hwayeong Buddhist dance contains the peculiarities of beauty of temperance, beauty of naturalness, sublime beauty and beauty of slowness. Nevertheless, despite the fact it has such peculiarities and retains the original form, Shim Hwayeong Buddhist dance is not popularized. If Shim Hwayeong Buddhist dance preservation society and Chungcheongnam-do cultural properties management agency make efforts for cultural property enhancement even after having it be appointed as a cultural property, the base of Shim Hwayeong Buddhist dance will be expanded. Considering the advanced age of Shim Hwayeong, it is in desperate need of many professional dancers' concerns. Also, theoretical study for the popularization and understanding of Shim Hwayeong Buddhist dance should be maintained, rather than leaving off at the arrangement of dance notation and the dance motion analysis.
#Shim Hwayeong 'Buddhist dance' #Buddhist dance

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참고문헌 (15)

참고문헌 신청
백현순 / 2002 / 승무의 춤 사상에 관한 연구 - 호남 승무를 중심으로 - / 대한무용학회 논문집 32 : 4 ~ 86 google schola 서성원 / 2006 / 정재만류 승무 춤사위 연구 분석: 굿거리 과장을 중심으로 / 석사 / 숙명여자대학교 전통문화예술대학원 google schola 손영미 / 2004 / 승무 춤사위에 내재된 공간 구성미에 대한 연구-정재만류 승무를 중심으로 / 숙명여자대학교 전통문화예술대학원 google schola 심우성 / 2003 / 서산의 무형문화재 / 서산문화원 google schola 심우성 / 2006 / 할머니의 꿈 / 서울여성플라자 google schola

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