지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
이용수
초록· 키워드
오류제보하기
The purpose of the study is to investigate the characteristics of Hindu represented in Marius Petipa's La Bayadère and to re-consider the value of the work. The methodology for the study is to analyze its relevant dance literatures, and video materials, released in 1991, produced by Kultur International Films, Inc.
The characteristics of Hindu represented in La Bayadère are shown in two aspects - religious․mythical aspect and institutional․ideological aspect. First, in the religious․mythical aspect, the Hindu's admiration of “Agni (the God of Fire),” “Soma (the hallucinogenic plant)” and “Indra (the God of Warrior)” is staged on the every act of the work, particularly in the “Fire Dance,” “the Dance of Golden Idol,” “Drum Dance, and so on. Second, in the institutional․ideological aspect, the Hindu's Caste is represented in the role of the temple dancer, while Nikya is dancing for blessing to a married couple in Scene 2 of Act I. The “Samsara” - the cycle of reincarnation, and the “Karma” - the retribution for the deeds of a previous life, are based on Nikya's decision to kill herself without being afraid of death.
목차
등록된 정보가 없습니다.
참고문헌 (24)
참고문헌 신청
/ / La Bayadere
/ / Marius Petipa
Balanchine, G. / 1997 / Balanchine's Complete Stories of the Great Ballet / Doubleday & Company
Kultur / 1991 / La Bayadere - Live from the Kirov Theatre (1977) / International Films, Inc
김경희 / 2008 / 국립발레단의 ‘한국적 발레’ 작품들에 나타난 한국적 특성에 관한 연구 / 대한무용학회 논문집 55 (55) : 1 ~ 26
/ / Marius Petipa
Balanchine, G. / 1997 / Balanchine's Complete Stories of the Great Ballet / Doubleday & Company
Kultur / 1991 / La Bayadere - Live from the Kirov Theatre (1977) / International Films, Inc
김경희 / 2008 / 국립발레단의 ‘한국적 발레’ 작품들에 나타난 한국적 특성에 관한 연구 / 대한무용학회 논문집 55 (55) : 1 ~ 26
이 논문의 저자 정보
최근 본 자료
댓글(0)
0