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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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Featuring the only black protagonist in William Shakespeare’s plays, Othello (1603) is distinct from any other Shakespearean tragedies. Called the “noble Moor” of Venice, Othello discovers a place for himself in the dominant white order as a general, winning recognition as a noble man. At the same time, however, he is dragged down to an ‘inferior’ status because of his ethnic identity as a “Moor.” He tries hard to assimilate in order to resolve this dilemma, but this effort distresses him and makes him feel alienated, both psychologically and socially. This agony of Othello can be explained through the framework of Frantz Fanon’s theories about alienation of black people, who suggests that the alienation of black people owes to two reasons: a racist society that supports various myths of blackness, and by black people themselves who accept these fabricated ideologies without properly questioning them. This article attempts to explain the pain of Othello by adapting Fanon’s framework, and suggest ways in which black alienation maybe confronted and overturned.
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참고문헌 (9)
참고문헌 신청
Daileader, Celia R / 2005 / Racism, Misogyny, and the Othello Myth: Inter- racial Couples from Shakespeare to Spike Lee / Cambridge UP
Fanon, Frantz / 1967 / Black Skin, White Masks / Grove Press
Lee, Kyung-won / 1999 / Othello ‘the Noble Moor’ and a Postcolonial Re-reading of Shakespearean Ambivalence / English Language and Literature 45 (4) : 969 ~ 989
Loomba, Ania / 1989 / Gender, race, Renaissance Drama / Manchester UP
Neill, Michael / 1989 / Unproper Beds: Race, Adultery, and the Hideous in Othello / Shakespeare Quarterly 40 (4) : 383 ~ 412
Fanon, Frantz / 1967 / Black Skin, White Masks / Grove Press
Lee, Kyung-won / 1999 / Othello ‘the Noble Moor’ and a Postcolonial Re-reading of Shakespearean Ambivalence / English Language and Literature 45 (4) : 969 ~ 989
Loomba, Ania / 1989 / Gender, race, Renaissance Drama / Manchester UP
Neill, Michael / 1989 / Unproper Beds: Race, Adultery, and the Hideous in Othello / Shakespeare Quarterly 40 (4) : 383 ~ 412
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