메뉴 건너뛰기
.. 내서재 .. 알림
소속 기관/학교 인증
인증하면 논문, 학술자료 등을  무료로 열람할 수 있어요.
한국대학교, 누리자동차, 시립도서관 등 나의 기관을 확인해보세요
(국내 대학 90% 이상 구독 중)
로그인 회원가입 고객센터 ENG
주제분류

추천
검색

논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국중앙영어영문학회 영어영문학연구 영어영문학연구 제56권 제3호
발행연도
2014.1
수록면
59 - 87 (29page)

이용수

표지
📌
연구주제
📖
연구배경
🔬
연구방법
🏆
연구결과
AI에게 요청하기
추천
검색

초록· 키워드

오류제보하기
The purpose of this paper is to analyze the correlation between trauma and the sublime in Owen’ war poetry. Having experienced shell shock, Wilfred Owen leaves the front and all his traumatic memories are repressed into his unconscious. However, for the sake of truthfulness in his poetic portrayal of war, he intentionally recalls and faces his terrifying experiences. Unexpectedly, he confronts his negative identity, both being the source of others’ trauma as a commander and slaughter and also as one helplessly suffering within the traumatic scenes. His sense of self is seriously damaged. He reshapes all the painful memories to ones more positive and suitable to his existing world view. The war becomes a sublime spot and what was in reality terror becomes a feeling of exultation. Finally, all the negative elements of his character and experiences are sublimated into a new, triumphant identity. Despite managing to recover from mental wounds and emotional scars, war can never truly be a pleasing experience. Therefore, the more keenly he feels the terror of war, the more sublime war becomes in poems like “Apologia pro Poemate Meo.” The sublime is the psychological counterpart of Owen’s trauma because it reflects his desperate intention to dissociate himself from the horror of war after the intense delight of emerging alive.

목차

등록된 정보가 없습니다.

참고문헌 (34)

참고문헌 신청

이 논문의 저자 정보

최근 본 자료

전체보기

댓글(0)

0