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자료유형
학술저널
저자정보
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한국근대영미소설학회 근대영미소설 근대영미소설 제13권 제1호
발행연도
2006.1
수록면
135 - 168 (34page)

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Heekyung NahBram Stoker's Dracula and Henry James's The Turn of the Screw, respectively typifying the Gothic horror thriller and the psychological ghost story, invite their readers into a particular state of mind in which such self-contradictory emotions as dread and curiosity, and abhorrence and attraction are fused. In Dracula, Stoker externalizes the supernatural vampire into a concrete visual image, the effect of which is to incite the sensational elements of horror of the reader. As a result, the reader experiences the paradoxical pleasure of terror by easily projecting his or her suppressed desire into the objectified Dracula. Meanwhile James explores the psychological features of the feeling of terror in The Turn of the Screw. In James's novel the ghost is never objectively substantialized. Accordingly the reader of the novel gets confused in judging whether the agent of evil is the allegedly evil spirit of Peter Quint who died an unnatural tragic death or the self-deluded Miss, a living persona who is obsessed with self-imposed mission to fight against the demon which nobody except her can see. After appreciating the novel Dracula, the reader is supposed to experience catharsis which ensures the pleasure of terror, while the reader of The Turn of the Screw, who gets trapped in the a complex psychological condition of repetition compulsion, cannot completely shake off the fear and tension which he or she has undergone while reading the novel.

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