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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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In The House of Mirth, recurrently emphasizing on the visual politics of her characters to express their social significance and identity, which are engaged with metaphors and images from the worlds of finance, Wharton provides a profound insight into how the visual representations of self, status and social relations are “redefined in,” or more strictly speaking, “merged into” the modern economic imagination. Illuminating the cultural privileging of vision, visual representation and visuality which became integral to determine the identity and the reality of Wharton’s characters, this paper examines the dynamics of their visual representations in relation to their speculative nature. Especially, elaborating how Lily’s own speculation (calculated performance, vision-making or display) solicits or discourages the investment of those who around her, and how Lily’s own conception of her “self” is actually determined by capitalists' investment value assessment, this paper demonstrates both the speculative nature of the visual representations and their precarious possibilities, that were actually embedded in the broader social, cultural and economic changes at the turn of the twentieth century.
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참고문헌 (24)
참고문헌 신청
Baudrillard, Jean / 1994 / Simulacra and Simulations / U of Michigan P
Berger, John / 1972 / Ways of Seeing / Penguin
Boorstin, Daniel J / 1992 / The Image:A Guide to Pseudo-Events in America / Vintage
Butler, Judith / 1990 / Gender Trouble / Routledge
Cowing, Cedric / 1965 / Populists, Plungers and Progressives / Princeton UP
Berger, John / 1972 / Ways of Seeing / Penguin
Boorstin, Daniel J / 1992 / The Image:A Guide to Pseudo-Events in America / Vintage
Butler, Judith / 1990 / Gender Trouble / Routledge
Cowing, Cedric / 1965 / Populists, Plungers and Progressives / Princeton UP
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