지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
이용수
초록· 키워드
오류제보하기
Dir. Kim, Yujin has maked various genre film. This thesis try to study on the view of Kim, Yujin’s film works in the Chungmuro film world. His film world has pursued the value of Korean film which tried to show His works to watch ordinary life and represented the popular entertainments. The real life of Kim, Yujin’s film’s makes his audience to feel the outside world of ordinary life.
By his filmography his main filn are belong to realism works except <Singijeon>. His film works are divided Three part by making film period such as the first period, the middle period and the last or the new beginning period.
In the first period his film images are shoot by longtake and theatrical blocking better than shot frame because of his theatical directing experience. as the result he directs his film to show the extremism ensemble image represented. His debut’s film, <Song for hero>was very enought to demonstrate a new director appeared. In the middle period his important film are <Danji geudaega yeojaraneun iyumaneuro>, <yaksok>. Those films are noticed dir.
KIm’s thought for Korean Chungmuro film. His film making style is continued to the last period. <Wild Card>, <Singijeon> shows dir. Kim’s style and his creative technique by try to make new film image. We can find his responsibility for Korean film audience and Chungmuro film.
Dir. Kim, Yujin’s film idea and directing style is arranged by three parts.
The first, he pursued for making entertainment and social issue. The second, his social film shows very simple and turly points. The third, he has instinct will to represent the identy of Korean film.
By above mention it is very difficult to determind Dir. Kim, Yujin’s film world. Anyway his instinct idea which has made various film genre creates his dream world to make ordinary peoples’s peace and happiness life. In this point Dir. Kim, Yujin is always important director of Chungmuro film.
#한국 충무로 영화
#한국영화의 가치
#&
#lt
#단지 그대가 여자라는 이유로&
#gt
#&
#lt
#약속&
#gt
#연극적 블록킹
#&
#lt
#신기전&
#gt
#한국영화관객의 책임
#한국영화의 정체성
#Korean Chungmuro film
#the value of Korean film
#&
#lt
#Danji geudaega yeojaraneun iyumaneuro&
#gt
#&
#lt
#yaksok&
#gt
#theatrical blocking
#&
#lt
#Singijeon&
#gt
#responsibility for Korean film audience
#the identy of Korean film
목차
등록된 정보가 없습니다.
참고문헌 (18)
참고문헌 신청
이 논문의 저자 정보
최근 본 자료
댓글(0)
0