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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한양대학교 현대영화연구소 현대영화연구 현대영화연구 제7권 제2호
발행연도
2011.1
수록면
263 - 296 (34page)

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초록· 키워드

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Johan Van Der Keuken(JVDK), who is a Dutch documentary filmmaker, has filmed several impressive documentaries. The themes of his films are quite extensive, but he has always been interested in political and existential problems such as human alienation in the capitalistic societies, poverty of the Third World, diaspora of minority groups. In order to deal with these themes, he has always searched for a new form of film. And his experiment in film form aims at liberation of image and sound from meaning or reality. JVDK’s <Face Value(1991)> is a film which is about people who live in 5countries of Europe. Each character in this film, who is from many different racial, religious, economic-social groups, are expressed in the form of face close-up, voice-over, and collage(polyphony). And in the end, the film finally makes a big collage-portrait of europe which is made of many small portraits. In this way the film becomes a kind of ‘Anthropology of Face’. In the film,JVDK breaks the conventional film grammar and try experimental forms of film such as polyphonous narratives, a dialectical collage of face close-up and voice-over, black screen, and free camera works etc. And by these new ways of filming, he liberates images and sounds. The liberation of image and sound makes the film a open space which can create various meanings endlessly. JVDK’s film form of liberation is an attempt to give film the autonomous power to create meanings endlessly by liberating image and sound.

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