지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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The "Break Through!(パッチギ!)" is a Japanese film which released by Director Kazuyuki Izutsu on January 22, 2005. This movie is the work that makes it along the current trends connected to the 1988 Seoul Olympic Games, the opening of Japanese cultural exports to South Korea 1998, the 2002 World Cup Korea-Japan, and the Korean wave to Japan from 2003. There was double-faced view going around in Japan at that time. In other words, Korean wave spread over positive images of culture in Japan, whereas Kim Jong-il acknowledged Japanese kidnapping in 2002 and the consequential negative images about North Korea were building. The product of double-faced images concerning the Korean Peninsula is typical case confirmed insufficiency of history recognition. Such a contradiction in Japan pointed out and concerned discourse with discourse about South-North Korea reproduced.
However, on the cultural thing, in the movie especially, the South-North Korea related discourse in partial reproduced. The "Break Through!(パッチギ!)" is movie raised a question in the same vein without any objection. Therefore, in this paper, contradictory view about the Korean Peninsula criticized and analyzed the relevance which inheres in the Korean Japanese description and discourse in this movie as text indicated insufficiency of history recognition, distortion and concealment of history in Japan. Through analytical researches, this paper confirmed a reflection on unilateral North Korea hatred discourse set up with not Korean nationality but Korean-Japanese as Chosun nationality, and pointed out the criticism about Korean-Japanese discrimination acculturation in Japan such as the discrimination concerning Korean-Japanese as Chosun nationality is used as scapegoat.
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