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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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An interest to the theater, which began from the 20th century’s Russian Symbolism, served as a momentum to explore the identity of the Russian drama theater. But the ideal of Symbolism caused, as an anti-these of it, Blok’s “pathos” in his drama 『Balaganchik』. By directing Blok’s 『Balaganchik』Meyerhold finds not only the theater technique as a type of theater but also forms of anti-reproduce plays against Stanislabski. The elements of farce in Block’s 『Balaganchik』 provided Meyerhold with a source of theatrical techniques. It includes the role of masks, which formalizes the figures, making the play unfixed in speech of actors and the structure of play-within-a-play, also the grotesque originated from a romantic irony. All of these theatrical techniques were the self-reflective type of theater, presupposing the theatrical conditions. The conditions of theater are not just a cause of failure of the Realism in theater but also the ‘keyword’ of Meyerhold’s theater. And it is a part of effort to establish ontological status of Art in the background of the 20th century’s Modernism. Meyerhold’s 『Balaganchik』 reveals the overall condition of the theater, and stimulates the imagination of the audience by metaphorically depicting an old structure of society. And the concept of the grotesque, as the result of these experiments, provides a blueprint of Meyerhold’s theater which was conducted forth by him.
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참고문헌 (11)
참고문헌 신청
Brandist, C. / 1996 / Carnival Culture and the soviet Modernist Novel / Macmillan Press
Braun, E. / 1969 / Meyerhold on Theatre / Hill and Wang
Clayton, J. D. / 1993 / Pierrot in Petrograd: The commedia Dell’Arte/Balagan in Twentieth-Century Russian Theatre and Drama / McGill Queens University Press
Mcfarlane, J. / 1991 / Modernism 1890-1930 / Penguin Books
Rudnitsky, K. / 1981 / Meyerhold: The Director / Ardis
Braun, E. / 1969 / Meyerhold on Theatre / Hill and Wang
Clayton, J. D. / 1993 / Pierrot in Petrograd: The commedia Dell’Arte/Balagan in Twentieth-Century Russian Theatre and Drama / McGill Queens University Press
Mcfarlane, J. / 1991 / Modernism 1890-1930 / Penguin Books
Rudnitsky, K. / 1981 / Meyerhold: The Director / Ardis
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