Goals of this dissertation are comparison and analysis of homogeneity between Kim, Choon Soo's literature and Rilke's. Object of comparison and analysis is existentialistic and ontological viewpoint of Kim, Choon Soo and Rilke in common. Existentialistic and ontological viewpoint of Rilke's literature gains the sympathy from many Korean poets who undergo cruel horrors and dehumanization of the Korean War and gives enormous influence to Korean poems. Rilke's influence on Kim, Choon Soo's poems appears considerably in early poems of Kim, Choon Soo. Poetic dictions like flower, darkness, angel, rose in Kim, Choon Soo's poems were already used in Rilke's poems many times. In addition, oppositive composition and Dinggedicht type of Kim, Choon Soo's poems have similar composition of Rilke's poems. In this way, influences of Rilke's literature exist in contents, formal composition and latent consciousness of poem's base in Kim, Choon Soo's poems. Theme of early Kim, Choon Soo's poems is 'research of infinity' about being, so his 'research of infinity' starts from Rilke's pomes and continues to longing and pursue about absoluteness. As Kim, Choon Soo accepts, his poems which are known as 'poem of existence' or 'poem of the inner world' have similar image of Rilke's poems. Since 1962, Kim, Choon Soo's poems have had different aspect in comparison to Rilke's poems. Afterward, Kim, Choon Soo's poems are changed to poems of purposelessness like 'Cheoyong Danjang'. Kim, Choon Soo said that, his poems of purposelessness have no relationship with Rilke's poems. The most important thing is that Kim, Choon Soo had composed poem thanks to Rilke's baptism and has undergo existential and ontological viewpoint of Rilke's poetry world and finally made his own poetry world. Thus Rilke's influences have creative and evolutive effect on Kim, Choon Soo's poems.