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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
동국대학교 영어권문화연구소 영어권문화연구 영어권문화연구 제4권 제1호
발행연도
2011.1
수록면
23 - 41 (19page)

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This paper aims at analyzing all the aspects of desire in the movie, <Black Swan> directed by Darren Aronofsky in 2010. The movie shows her struggle to face these various kinds of desires in a psychoanalytical way. Her mother, Erica wants her to be a white swan whereas the art director, Tomas wants her to be a black swan. Meanwhile, there appears an another black swan named Lily, and she affects Nina in a destructive way. Eventually, Nina stabs herself with a knife. The movie ends up showing ‘perfect Nina’ who completes both white and black swan's presence. In this article, I will critically analyze Erica and Thomas's desires through the concept of ‘Object a’ in Lacan's desire theory. In addition, I will explain the impossibility of desire through Autre's concepts of ‘surplus – jouissance,’ and ‘desire of phallus.’ After all,all these discussions are going to be the effort of work that tries to find out how a destructive desire works and where it comes from. This will share a similar concept of Lacan's “Che Voui,”. Is my desire really an actual desire of myself? Why am I being a someone else's desire, instead of being a desire of myself? Through asking and solving these questions, this thesis is going to point out the fact that there is no perfection or perfect ego, and this ‘illusion of perfection’ does have a destructibility.

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