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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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Marino Faliero, one of Byron’s historical dramas, has drawn controversy over his political tendency. Some critics claim that he was politically conservative in this drama, whereas others argue otherwise. The first group of critics tends to think that this drama was written for stage because they believe Byron used it to preach conservative messages to the audience. My argument, however, is that he wrote it for the closet because it would enable him to express his radical ideas freely without catering to the audience. As a committee member of Theater Drury Lane, Byron was aware of what elements a play should contain to be successful at the theater. He stated that it was written for the closet, and thus it did not contain the elements that were necessary for success on stage. Nevertheless, the critics do not accept his statement as it is. Faliero plays the role of a Byronic hero who rebelled against the existing aristocracy but the critics fail to find Byronic heroes in historical dramas as they did in poetic dramas. Although Faliero’s rebellion failed in this drama, Byron’s political ideas are reflected in his frequent statements supporting for freedom and justice in his society.
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참고문헌 (23)
참고문헌 신청
Ashton, Thomas L. / 1974 / Marino Faliero: Byron’s ‘Poetry of Politics’ / Studies in Romanticism 13 (1) : 1 ~ 13
Byron, George Gordon / 1793 / Byron’s Letters and Journals / Harvard UP : 82 ~
Byron, George Gordon / 1994 / The Works of Lord Byron / Norhaven
Cochran, Peter / 2008 / Byron and Drury Lane, In Byron at the Theatre / Cambridge Scholars Publishing : 1 ~ 35
Coghen, Monika / 2008 / The Gothic and the Neoclassical in Byron’s Marino Faliero, In Byron at the Theatre / Cambridge Scholars Publishing : 110 ~ 122
Byron, George Gordon / 1793 / Byron’s Letters and Journals / Harvard UP : 82 ~
Byron, George Gordon / 1994 / The Works of Lord Byron / Norhaven
Cochran, Peter / 2008 / Byron and Drury Lane, In Byron at the Theatre / Cambridge Scholars Publishing : 1 ~ 35
Coghen, Monika / 2008 / The Gothic and the Neoclassical in Byron’s Marino Faliero, In Byron at the Theatre / Cambridge Scholars Publishing : 110 ~ 122
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