메뉴 건너뛰기
.. 내서재 .. 알림
소속 기관/학교 인증
인증하면 논문, 학술자료 등을  무료로 열람할 수 있어요.
한국대학교, 누리자동차, 시립도서관 등 나의 기관을 확인해보세요
(국내 대학 90% 이상 구독 중)
로그인 회원가입 고객센터 ENG
주제분류

추천
검색

논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국18세기영문학회 18세기영문학 18세기영문학 제9권 제2호
발행연도
2012.1
수록면
59 - 96 (38page)

이용수

표지
📌
연구주제
📖
연구배경
🔬
연구방법
🏆
연구결과
AI에게 요청하기
추천
검색

초록· 키워드

오류제보하기
This paper examines privatization of Sensibility in Henry Mackenzie’s Julia de Roubigné focusing on the usage of its key words “trifles” and “trivial,” which substitute for the word “private” that rarely appears in the novel. As writings “from crossroads of public and private,” Eighteenth-century epistolary literature played the central role in the construction of the categories of public and private. Like Richardson’s epistolary novels, Julia de Roubigné consists of letter writings both as private testimony and public history. In contrast to Richardson, however, who idealizes the sincerity of female virtue legible between the lines of heroines’ memoirs, Mackenzie makes his third and last novel to doubt the possibility of transmission of sensibility by suggesting the dark prospect of misreading Julia’s letters. I argue that impracticability of sympathy in this novel arose from privatization of Sensibility, which originally presupposed the idealistic synthesis of private and public virtue. In Julia de Roubigné, it is even aggravated by Montauban’s depreciation of “little world of sentiment” and his unreadiness to appreciate the more current and exchangeable value of “trifles.” When the sentimental subjects cannot believe in the mutual connections made up through Sensibility, the calamities of conflict lead the sentimental novel to the “indulgence of strong emotionalism, moral polarization and schematization” of melodrama as Peter Brooks defined it.

목차

등록된 정보가 없습니다.

참고문헌 (24)

참고문헌 신청

이 논문의 저자 정보

최근 본 자료

전체보기

댓글(0)

0