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In the winters of 1913-14, 1914-15, and 1915-16, Yeats and Pound spent their time together at a small cottage in Ashdown Forest, Sussex. This so-called “The Stone Cottage Spiritual Workshop,” the literary collaboration between Yeats and Pound, initiates the modernist movement. The process of their literary collaboration has manifested itself in Per Amica Silentia Lunae and The Dreaming of the Bones. Per Amica Silentia Lunae is the most systematic statement of Yeats’s poetics to appear before the first edition of A Vision in 1925, and The Dreaming of the Bones (1917) is closely modelled on the mugen Noh, most particularly on Nishikigi. Both provide Yeatsian aesthetic manifesto of the open spiritual poetics that underlies his later dramatic theory of theater and poetry. And like the plays Nishikigi and Motomezuka, Yeats discovered the dramatic and theatrical representations of the dreaming back of the dead in his later plays.
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참고문헌 (13)
참고문헌 신청
Brown, Terence / 1999 / The Life of W. B. Yeats / Blackwell Publishers
Chiba, Yoko / 1992 / The Shamanistic Elements in Yeats and Noh. Yeats: An Annual of Critical and Textual Studies X, In Special issue on Yeats and the Theater: Yeats International Theatre
Clark, David. R. / 1993 / W. B. Yeats & the Theatre of Desolate Reality / The Catholic U of American P
Ellmann, Richard / 1948 / Yeats: The Man and the Masks / E. O. Dutton & Co
Kermode, Frank / 1986 / The Dancer. In Romantic Image / Ark
Chiba, Yoko / 1992 / The Shamanistic Elements in Yeats and Noh. Yeats: An Annual of Critical and Textual Studies X, In Special issue on Yeats and the Theater: Yeats International Theatre
Clark, David. R. / 1993 / W. B. Yeats & the Theatre of Desolate Reality / The Catholic U of American P
Ellmann, Richard / 1948 / Yeats: The Man and the Masks / E. O. Dutton & Co
Kermode, Frank / 1986 / The Dancer. In Romantic Image / Ark
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