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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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Yeats wrote two political plays that make direct references to Irish insurrections—the Rebellion of 1798 and the Easter Rising of 1916 respectively—which differ from his other plays with some political implications, usually found in symbols and metaphors. The comparison between Cathleen Ni Houlihan (1902) and The Dreaming of the Bones (1919), both being directly political, demonstrates how politics plays a role in the making of each play: The first play is motivated by a strong sense of a nation in trouble, while the second play makes slight use of politics to further develop Yeats’s own sense of poetics.
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참고문헌 (12)
참고문헌 신청
Allison, Jonathan / 2006 / Yeats and Politics, In The Cambridge Companion to W. B. Yeats / Cambridge UP : 185 ~ 205
Bernard, O’Donoghue / 2006 / Yeats and the Drama, In The Cambridge Companion to W. B. Yeats / Cambridge UP : 101 ~ 114
Chadwick, Joseph / 1986 / Family Romance as National Allegory in Yeats’s Cathleen ni Houlihan and The Dreaming of the Bones / Twentieth Century Literature 32 (2) : 155 ~ 168
Good, Maeve / 1987 / W. B. Yeats and the Creation of a Tragic Universe / Barns and Noble
Jeffares, A. Norman / 1975 / A Commentary on The Collected Plays of W. B. Yeats / Stanford UP
Bernard, O’Donoghue / 2006 / Yeats and the Drama, In The Cambridge Companion to W. B. Yeats / Cambridge UP : 101 ~ 114
Chadwick, Joseph / 1986 / Family Romance as National Allegory in Yeats’s Cathleen ni Houlihan and The Dreaming of the Bones / Twentieth Century Literature 32 (2) : 155 ~ 168
Good, Maeve / 1987 / W. B. Yeats and the Creation of a Tragic Universe / Barns and Noble
Jeffares, A. Norman / 1975 / A Commentary on The Collected Plays of W. B. Yeats / Stanford UP
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