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The Shaman-Buddhist Fusion Aspect in Sitgimgut Shaman Songs
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씻김굿 무가에 나타난 무불 융합 양상

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Type
Academic journal
Author
Journal
한국정토학회 정토학연구(淨土學硏究) 정토학연구(淨土學硏究) 제29권 KCI Accredited Journals
Published
2018.1
Pages
181 - 218 (38page)

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The Shaman-Buddhist Fusion Aspect in Sitgimgut Shaman Songs
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Shaman songs are distributed and transmitted in the social relationship of the transmitter group. The case of Park, Kyungja, a shamaness from Jeonnam Suncheon showcases a typical case of inherited shaman work and activities. All of her documents and transmission materials are transmitted from the generations before her and they are learned and reproduced in the social relationship of shaman circle. These materials will be the center of our study in terms with the shaman-Buddhist fusion aspect. In sitgimgut, there are Buddhist lyrics, prayers, gesong, and the ten kings of hell, etc. Of particular, Buddhist prayers and the ten kings of hell deserve a close look. However, they are not used in the original form, but reconstituted and transformed in the performance context of gut. From this, gut transmitter accepted and transformed Buddhist prayers and the ten kings of hell as a device to diversify the expressions of gut and enrich the outward symbols. The shaman-Buddhist fusion is a result of interaction based on the cultural-historical tradition and a process of cyclic reconstitution. In the folklore, Buddhist prayers and lyrics are accepted in order to diversity the religious expression by borrowing the religious authority of Buddhism which held the status of institutional religion. It was hoped that through these measure gut could be more persuasive to the public and be effectively accepted.
#Folklore Buddhism #Buddhism folklore #Buddhism rituals #songs of conversion #Buddhist prayers #performance theory #Shaman-Buddhist Fusion.

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