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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국사진학회 AURA AURA 제24호
발행연도
2011.1
수록면
195 - 206 (12page)

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초록· 키워드

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A dark and closing village lightens and vigor has been regained through the mural painting project. Residents came to be able to do the outside and the communication through the mural painting, and began to think about the future that was the attachment mind to the village and own. If residents’ private lives are never violated by the mural painting, the responsibility of the mural painting preservation pushes to residents one-sidedly and it is never made to bear, division is a project of a very affirmative culture that meets. But this project is expanded on a nationwide scale and there is a mural painting anywhere and if it was made to fade and to take off that it becomes a serious visual pollution. It is necessary to think whether it is each organization and artists are problems that what is most necessary for residents who have lived there before the plan and production. Actually, there are no drainage facilities in a lot of mural painting villages. It be necessary be likely to repair a lot of deserted houses and to increase comfortable public lavatories to residents most. And the similar mural painting made uniform is not needed. It is necessary to make the space where the histories of residents who have lived regional distinctiveness and there talk about the recollection and the dream of alive. However, the human nature that has been alienated up to now doesn’t recover soon even if the painted on the wall and the picture is drawn. It is point that calmly judges whether to thrust alienated residents into a deep predicament oppositely. Even if the mural painting depicts it as a means to conceal a dirty place in the city, even if it is a means to postpone the urban redevelopment temporarily, the responsibility of the defense and repairing is carried with it to everyone because it made it. Do not forget it is a place to which residents live in above all there because of the murall painting.

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