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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국고전르네상스영문학회 고전 르네상스 영문학 고전 르네상스 영문학 제22권 제2호
발행연도
2013.1
수록면
51 - 76 (26page)

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Le Morte D'arthur(1470?) has been considered as Sir. Thomas Malory’s successful creative adaptation of various original sources. Based on the French, German and even English alliterative original sources, Malory’s narrative deals with diverse popular subjects of the Middle Ages such as chivalry, courtly love, feudal society, and the quest of a holy grail, etc. Despite this thematic diversity, the overall theme of Le Morte D’arthur had been regarded as the rise and fall of Arthur’s kingdom since William Caxton published Le Morte D’arthur(1485). However, these appraisals were challenged by Eugene Venaver who declared in his preface to The Complete Works of Sir. Thomas Malory(1970) that Malory’s narrative is just composed of “a series of books.” Since Vinaver’s edition was published, controversial studies on thematic unity of Le Morte D’arthur have been pursued among medieval scholars. One of the critical issues is about the thematic correlation and causality between the quest of earthly chivalric ideals, and the quest of the holy grail, which represents heavenly salvation through sufferings and penance. This essay discusses Malory's use of the Christian calendar in structuring his narrative of the rise and fall of Arthur’s kingdom. This study also demonstrates how his use of the Christian calendar including liturgical elements, such as Eucharist, contributes to the thematic correlation and causality of the narrative of Le Morte D’arthur.

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