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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2013.1
- 수록면
- 165 - 189 (25page)
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초록· 키워드
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This article aims to show that <The Tempest> by Oh Taesuk distances itself from the exotic foreignness of Asia by enhancing the theatricality, revealing comic sentiments by using the Korean language, and exposing deep Korean philosophy. Shakespeare performances in Asia have been different from the typical Western performances to the eyes of Westerners and the performances have focused on their exoticness, depending upon the local and traditional cultures of their own countries.
However, Oh Taesuk's theatricality based on compression, ellipsis and jump does not present Korean traditions as they are but modifies the Korean traditions. Namely, Korean culture is presented to the audience through the theatrical experiments. The comic sentiment is delivered to the audience by experimenting with the Korean language, such as using puns and by exposing the playful aspects of Gut, a Korean ritual. Furthermore, the deep Korean philosophy by the use of many Korean songs, Korean expressions, and Korean situations is expressed on the stage.
<The Tempest> by Oh Taesuk shows a deeper level of Koreanness, however, it does not simply present the traditional and the local. Revealing exoticness in a superficial way by showing only the traditional is not the aim of this performance. Theatrical experiments, language experiments, and revealing a deeper level of Korean philosophy are the aims of this performance so that it becomes a very theatrical and at the same time very Korean, performance. In that way, <The Tempest> will be an example of strengthening and solidifying Korean culture as well as reactivating Western culture.
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참고문헌 (23)
참고문헌 신청
/ / http://edinburghfestival.list.co.uk/article/36553-the-tempest/
Barucha, Rustom / 2000 / The Politics of Cultural Practice / Wesleyan UP
Daugherty, Diane. / 2005 / The Pendulum of Intercultural Performance : "Kathakali King Lear", at Shakespeare's Globe / Asian Theatre Journal 22 (1) : 52 ~ 72
Dawson, Anthony B. / 2002 / International Shakespeare, In Shakespeare on Stage / Cambridge UP
Dunn, Catherine. / 1969 / The Function of Music / Shakespeare Quarterly 20 (4) : 391 ~ 405
Daugherty, Diane. / 2005 / The Pendulum of Intercultural Performance : "Kathakali King Lear", at Shakespeare's Globe / Asian Theatre Journal 22 (1) : 52 ~ 72
Dawson, Anthony B. / 2002 / International Shakespeare, In Shakespeare on Stage / Cambridge UP
Dunn, Catherine. / 1969 / The Function of Music / Shakespeare Quarterly 20 (4) : 391 ~ 405
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