지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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This study examines how metadramatic traditions are revived in the works of Samuel Beckett and Lee Yun Taek, two modern dramatists representing English and Korean literature. Beckett's Waiting for Godot explores the fundamental role of stage, actors and audience through metadramatic features, eventually invalidating the boundary between stage and auditorium. In Citizen K and Oku, Lee Yun Taek also makes significant use of metadramatic devices such as play-within-a-play as well as co-existence of stage and auditorium. In order to gain these effects, he especially deconstructs and reconstructs gut, a traditional Korean ritual in which life and death interacts.
In this respect, the two dramatists, transcending the space and time of their activities, successfully achieve the reconstruction of the inherent dramatic tradition and extend literary horizon, thus satisfying the metadramatic premise that life is a dream and that the world is a stage.
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참고문헌 (23)
참고문헌 신청
Abel, Lionel / 1969 / Metatheatre: A New View of Dramatic Form / Hill
Beckett, Samuel / 1965 / Proust and Three Dialogues with Georges Duthuit / John Calder
Beckett, Samuel / 1984 / Dante [. . .] Bruno. Vico [. . .] Joyce, In Desjecta: Miscellaneous Writings and a Dramatic Fragment / Grove : 41 ~ 62
Beckett, Samuel / 1986 / The Complete Dramatic Works / Faber
Federman, Raymond / 2001 / Beckett [f]or Nothing, In Engagement and Indifference / New York State UP : 161 ~ 171
Beckett, Samuel / 1965 / Proust and Three Dialogues with Georges Duthuit / John Calder
Beckett, Samuel / 1984 / Dante [. . .] Bruno. Vico [. . .] Joyce, In Desjecta: Miscellaneous Writings and a Dramatic Fragment / Grove : 41 ~ 62
Beckett, Samuel / 1986 / The Complete Dramatic Works / Faber
Federman, Raymond / 2001 / Beckett [f]or Nothing, In Engagement and Indifference / New York State UP : 161 ~ 171
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