메뉴 건너뛰기
.. 내서재 .. 알림
소속 기관/학교 인증
인증하면 논문, 학술자료 등을  무료로 열람할 수 있어요.
한국대학교, 누리자동차, 시립도서관 등 나의 기관을 확인해보세요
(국내 대학 90% 이상 구독 중)
로그인 회원가입 고객센터 ENG
주제분류

추천
검색

논문 기본 정보

자료유형
학술저널
저자정보
저널정보
21세기영어영문학회 영어영문학21 영어영문학21 제27권 제3호
발행연도
2014.1
수록면
5 - 26 (22page)

이용수

표지
📌
연구주제
📖
연구배경
🔬
연구방법
🏆
연구결과
AI에게 요청하기
추천
검색

초록· 키워드

오류제보하기
From the 19th century, British cartoons and writings suggested some verbal and visual representations of Irish people as childlike or childish in order to justify their colonial logic. Richard Haslam contends that “a damaged child” represents Ireland and examines this idea in post-independence Irish fiction, popular culture, and cultural theory. Patrick McCabe chose the same topic of a damaged child in his novel, The Butcher Boy. The protagonist, Francie Brady, is an only child from a dysfunctional Irish family, which is stereotyped by British colonialism. The novel is mainly set in a small town in early 1960's Ireland. After Mrs Nugent, an allegory of British colonialist, fixed the stigma, PIG, upon his family, 12 year old Francie went insane, and finally slaughtered Mrs Nugent in the way of killing pigs. In the novel, Francie's narrative as he descends into madness, which might not be understood from a common person's perspective, reveals the landscape of neocolonial Ireland. Though the early 1960s was significant in establishing a new, modernized Ireland, McCabe alludes to us the dark side of this period in Irish history through both individual and communal madness.

목차

등록된 정보가 없습니다.

참고문헌 (14)

참고문헌 신청

이 논문의 저자 정보

최근 본 자료

전체보기

댓글(0)

0