지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Minyo singer, Yi Hui-mun, gagoksinger, BakMin-hui,and pansori singer, YiJaram,are vocalists considered among those most active today. Being perceived as a living o rganic system, the three singers take up unique turns seeking new performance strategies which differentiate from among the existing “traditional” methods, and focusing on the in nate and original aesthetics and traditional characteristics of the genre. Such attempts in the recreation and reinterpretation of traditional genres offer a special musical experience to an audience removed from the mannerisms imposed by a fossilized method of appreciation; these are unique approaches with a deep understanding of the performance spaces: pan(open space)for pansori, gipeunsarang(in-depth guest place)for japga,and pungryubang(private salon for chamber music)for gagok. The three singers also distinguish from existing method such as a kind of archive which preserve the vocal cultural heritage by ‘carving’ in a human voice, as well as provoke the stages in resistance of ideological discourse of modernization, popularization and globalization of the traditional genres. Here, for them, the traditional vocal genres are no longer a “thing” which must be preserved or developed. Nor do they impose upon them force d obligation and appropriateness, freeing them from the oppression of “traditional” art making. Rather, the musical texts of the traditional vocal genres, with the assumed persona removed, are presented in roles as “transitional objects” in the process of individuation freely exploiting the creative energy close to the archetype of the genres. In this regard, for them, the creative musicking based on the traditional vocal genres sheds light on the process of searching for a “individuation” and confirming “self identity.”
목차
등록된 정보가 없습니다.
참고문헌 (22)
참고문헌 신청이 논문의 저자 정보
최근 본 자료
댓글(0)
0