지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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This paper purposes to attempt a new description of music through seeing and listening to the ‘nature’, the main motto of the eighteenth century. First, I try to find the common ground from both fields of garden and music in terms of ‘landscape’ and ‘soundscape’, resulting in the definition of landscape for listening not for seeing. The music of the early eighteenth-century England can be considered as emblematical, while the music of the mid eighteenth-century England as naturalistic.
Further, this paper attempts to view a new change of late eighteenth-century music in view point of picturesque. This paper introduces picturesque taste emerged in the mid eighteenth century, introducing William Gilpin's use of the term. Gilpin's picturesque garden theory emphasized on ‘variety’ in composition of landscape; and his garden chooses to cooperate artificial elements into pure nature. And this paper redefines the meaning and function of music as comtemporary social and cultural phenomenon.
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참고문헌 (17)
참고문헌 신청
Gilpin, William / 1782 / Observations on the River Wye, and Several Parts of South Wales, &c / A. Straban
Gilpin, William / 1792 / Three Essays on Picturesque Beauty / R. Blamire
Gilpin, William / 1808 / Observations, on Several Parts of England, Particularly the Mountains and Lakes of Cumberland and Westmoreland, 3rd ed / T. Cadell and W. Davies
Hunt, John Dixon / 1992 / Gardens and the Picturesque / The MIT Press
Knight, Richard Payne / 1795 / The Landscape, a Didactic Poem, 2nd ed / W. Bulmer
Gilpin, William / 1792 / Three Essays on Picturesque Beauty / R. Blamire
Gilpin, William / 1808 / Observations, on Several Parts of England, Particularly the Mountains and Lakes of Cumberland and Westmoreland, 3rd ed / T. Cadell and W. Davies
Hunt, John Dixon / 1992 / Gardens and the Picturesque / The MIT Press
Knight, Richard Payne / 1795 / The Landscape, a Didactic Poem, 2nd ed / W. Bulmer
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