지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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This paper is an inquiry into the cultural process of musical nationalism in American country music. Using three carefully selected samples of popular country music that have been previously identified to have a nationalistic or patriotic overtone, it examines how their lyrics semiotically define, redefine, and assert country music as ‘American’ and ‘patriotic’ music. If musical nationalism can be considered a utilization of music to further the causes of nationalism and nationalistic movements, it is necessary to inquire how such processes are culturally constructed at the level of music. By analyzing the history and the lyrical discourses of so-called nationalistic or patriotic songs, this paper reveals that country music employs several different semiotic and pragmatic strategies to culturally define, socioeconomically delimit, and make political claims about ‘who is an American,’ ‘what is Americanness,’ and ‘how to act as an American,’ in order to enroll hearers as co-participants in the realization of musical nationalism. In addition, this paper argues that despite these analyzable differences, country music as a genre has embraced a metaculture of tradition; and replicating through music and throughout time, the notion that country music ‘is’ or ‘must be’ American music.
목차
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참고문헌 (25)
참고문헌 신청
Barber, Benjamin R / 1993 / Global Multiculturalism and the American Experiment / World Policy Journal 10 (1) : 47 ~ 55
Bush, George H.W / 1991 / Remarks at the 25th Anniversary of the Country Music Awards in Nashville, Tennessee, October 3, 1991 / Public Papers (George Bush Presidential Library and Mus
Cobb, James C / 1982 / From Muskogee to Luckenbach: Country Music and the ‘Southernization’ of America / The Journal of Popular Culture 16 (3) : 81 ~ 91
Ellison, Curtis W / 1995 / Introduction, In Country Music Culture: From Hard Times to Heaven / University Press of Mississippi : 13 ~ 13
Faudree, Paja / 2012 / Music, Language, and Texts: Sound and Semiotic Ethnography / Annual Review of Anthropology 41 : 519 ~ 536
Bush, George H.W / 1991 / Remarks at the 25th Anniversary of the Country Music Awards in Nashville, Tennessee, October 3, 1991 / Public Papers (George Bush Presidential Library and Mus
Cobb, James C / 1982 / From Muskogee to Luckenbach: Country Music and the ‘Southernization’ of America / The Journal of Popular Culture 16 (3) : 81 ~ 91
Ellison, Curtis W / 1995 / Introduction, In Country Music Culture: From Hard Times to Heaven / University Press of Mississippi : 13 ~ 13
Faudree, Paja / 2012 / Music, Language, and Texts: Sound and Semiotic Ethnography / Annual Review of Anthropology 41 : 519 ~ 536
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