지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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This thesis will examine ruin images painted by France’s Hubert Robert at the end of the 18th century. By implicitly implying that ruins were places where rulers with power exclusively lived in the past, but were open to anyone at the present time, it enabled viewers to feel a sense of transience from the ruin images, displaying characteristics of vanitas paintings.
The period when Robert actively worked as a painter was the Neo-Classicist period, from the perspective of art history, which was also the period that gave birth to romantic ethos leading to the French Revolution from a socio-cultural perspective. Indeed, devastated sites and collapsed buildings can be understood as symbolism of Classicism or Romanticism sublime, but it will be translated in line with Baroque tradition here. To do this, the concept of Baroque allegory, as described by Walter Benjamin, was actively adopted. Benjamin differentiated ‘symbol’ from ‘allegory.’ For instance, if ruins meant collapse, this was understood as a symbol. However, if the meaning of ruins was meant to be not complete and open, it was categorized as allegory.
Allegorical ruins also implied subjectivism. This was because the notion that constant and essential principles should be followed, just like the Classicism-oriented order was refused and was decided based on uncertain aesthetical experience. Ruin images demonstrated emptiness as well as a strong desire for newness. Collapsed monuments and residential areas where no one lived paradoxically foresaw delightful and improved images. Ruins acted as potentiality that predicted a new adventure will start soon for the eyes of the public.
목차
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참고문헌 (23)
참고문헌 신청
Benjamin, Walter / 1977 / The Origin of German Tragic Drama / NLB
Burke, Edmund / 1990 / A Philosophical Inquiry into the Origin of Our Ideas of the Sublime and Beautiful / Oxford Univ. Press
Clark, T.J / 1999 / Farewell to an Idea: Episodes from a History of Modernism / Yale University Press
Crawford, Donald / 1983 / Nature and Art: Some Dialectical Relationships / Journal of Aesthetics and Art Criticism 42 (1) : 52 ~
De Brosses, Charles / 1986 / Lettres d'Italie du President de Brosses / Mercure de France
Burke, Edmund / 1990 / A Philosophical Inquiry into the Origin of Our Ideas of the Sublime and Beautiful / Oxford Univ. Press
Clark, T.J / 1999 / Farewell to an Idea: Episodes from a History of Modernism / Yale University Press
Crawford, Donald / 1983 / Nature and Art: Some Dialectical Relationships / Journal of Aesthetics and Art Criticism 42 (1) : 52 ~
De Brosses, Charles / 1986 / Lettres d'Italie du President de Brosses / Mercure de France
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