지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
이용수
초록· 키워드
오류제보하기
This paper aims to examine the aspects and meanings of gendered bodies in dance. For this, I analyze Bill T. Jones’s Ghostcatching (2000) in terms of body,movement, space.
Gendered bodies in the work have three characteristics in common. First, they make it possible for viewers to focus on the bodies as it really is, without sexualitybased ideological gaze. In short, the work offer an opportunity to reconstruct the traditional understanding of the bodies by representing them other than generalized social gazes on stage. The gendered bodies redefine the bodies in a dichotomic gender ideology as those in de-centered, non-linear attributes.
Second, they suggest communicable bodies. They show the intertextual bodies that can create sociopolitical discourses by displaying unbalanced fat bodies rather than well-balanced beautiful bodies. The distorted bodies become an independent body by offering an opportunity to communicate autonomously.
Third, the stage space, which is seen as an elistist space, is transformed into a democratic space. Ghostcatching arranges a democratic open space - a virtual space - in which everyone can share and participate. These spaces deconstruct the ideological thoughts, thereby making it possible for viewers to understand the essentials of human beings.
Gendered bodies in the three works don’t work as a place for politics or direct power, but the bodies are represented as strategical bodies which reveal the essence of power by deconstructing the traditional understanding of the bodies and presenting a new understanding of the body.
The gendered bodies in the works perform a gender in real stage space. They challenge to power relationships by creating cultural discourses. This research could confirm that dance itself is political. In other words, dance does not reproduce a specific political incident, but expose political aspects in gendered bodies.
·
목차
등록된 정보가 없습니다.
참고문헌 (31)
참고문헌 신청
/ / 고스트 캐칭 동영상
/ / 미술과 인문학 / 성균관대학교 BK21 글로컬 시대의 프랑스 문화예술교육 핵심인력 양성팀 제3차 대학원 세미나에서 초청 강연
/ 2002 / 고스트 캐칭DVD Envisioning Dance on Film and Video / The Regent of California
/ 2009 / 주디스 버틀러: 비정체성의 젠더계 보학 / 연세대학교서산학회철학세미나
Judith Lynne Hanna / 1988 / Dance, Sex and Gender / The University of Chicago Press
/ / 미술과 인문학 / 성균관대학교 BK21 글로컬 시대의 프랑스 문화예술교육 핵심인력 양성팀 제3차 대학원 세미나에서 초청 강연
/ 2002 / 고스트 캐칭DVD Envisioning Dance on Film and Video / The Regent of California
/ 2009 / 주디스 버틀러: 비정체성의 젠더계 보학 / 연세대학교서산학회철학세미나
Judith Lynne Hanna / 1988 / Dance, Sex and Gender / The University of Chicago Press
이 논문의 저자 정보
최근 본 자료
댓글(0)
0