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논문 기본 정보

자료유형
학술저널
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대한영어영문학회 영어영문학연구 영어영문학연구 제38권 제4호
발행연도
2012.1
수록면
21 - 46 (26page)

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Doris Lessing’s The Memoirs of a Survivor (1974) has raised controversy related to the genre of the book. It has been argued whether this book is an autobiography, a fantasy, or science fiction. The book is set in the future during a world crisis, when an anonymous narrator lives in an abandoned house in a city. Here, despite the setting and events, this paper reads this book as Lessing’s autobiography. It is obvious that Emily’s childhood is a re-creation of Lessing’s own childhood with one thing and another. As the destructive aspect of parent-daughter relationships is a recurring theme in Lessing’s autobiographical and fictional texts, The Memoirs of a Survivor seems to be another confession of Lessing, who seeks for reconciliation and harmony towards her father. As Lessing puts it in Walking in the Shade, there has lingered “a hiatus, a lack, a blur and it was to do with my parents” (16) and the implied author in The Memoirs of a Survivor tries to fill “a hiatus, a lack, a blur” with an opening in the wall. Therefore, this paper shows that in journeying into her most painful childhood memories, Lessing attempts to recover her lost and unsaid past, providing the power of the narrative for the implied author.

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