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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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This study aims at interpreting Eugene O’Neill’s Strange Interlude from the efficacy of the stage monologue and aside as a mask. O’Neill tried to express the desires of contemporary man and its social problems, according to ritual, fantasy and disillusionment he worked drastically hard to experiment with the expressionistic and naturalistic stages. He also used masks to go for profound analysis of the inner as well as the fact that shares character’s appearance. In Strange Interlude unlike the actual mask, psychological masks can be remarkable as the effect of the novel, revealing the stream of consciousness technique. Also it was a very useful dramatic device with stage technic. This application in Strange interlude is accomplished to the stage monologue and aside such as the psychological mask device, therefore all the characters and the elements of psychological conflicts that occur in are shown in the appearances of masks.
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참고문헌 (14)
참고문헌 신청
Bentley, Eric / 1973 / Theater of War : Modern Drama from Ibsen to Brect / The Viking Press
Berlin, Normand / 1982 / O’Neill / Macmillan Press Ltd
Cargill, Oscar, N. / 1964 / Bryllion Fagin, In O’Neill and His Plays : Four Decades of Criticism / New York University Press
Falk, Doris V. / 1963 / The Paradox : O’Neill / Modern Drama 6 (3) : 222 ~
Gelb / 1973 / O’Neill / Harper & Row
Berlin, Normand / 1982 / O’Neill / Macmillan Press Ltd
Cargill, Oscar, N. / 1964 / Bryllion Fagin, In O’Neill and His Plays : Four Decades of Criticism / New York University Press
Falk, Doris V. / 1963 / The Paradox : O’Neill / Modern Drama 6 (3) : 222 ~
Gelb / 1973 / O’Neill / Harper & Row
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