지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Semiotics is important and useful to the study of Baraka’s ritual drama. A semiotic approach to Baraka’s ritual drama enables us to understand Baraka’s theatrical stance to seek a theatre that would prevent Blacks from being destroyed by rage and psychological sterility. Baraka launched so-called the revolutionary theatre as a device of militant denunciation of oppression. To fulfill this goal, Baraka recaptured and applied the efficacy of African rituals. Central to Baraka’s revolutionary theatres including Dutchman is his adaptation and utilization of ritual. The common tenets of both Black theatre and semiotics revolve on the subversive strategy toward arbitrary relationship between the signifier and the signified of any given sign.
목차
등록된 정보가 없습니다.
참고문헌 (17)
참고문헌 신청
Alter, Jean / 1990 / A Sociosemiotic Theory of Theatre / U of Pennsylvania P
Artaud, Antonin / 1968 / The Theatre of Cruelty, In The Theory of the Modern Stage: An Introduction to Modern Stage and Drama / Penguin Books : 55 ~ 79
Baraka, Imamu Amiri / 1964 / Dutchman and The Slave / Morrown Quill Paperbacks
Bigsby, C. W. E. / 1985 / A Critical Introduction to Twentieth-Century American Drama 3: Beyond Broadway / Cambridge UP
Brady Own E. / 1976 / Cultural Conflict and Cult Ritual in Leroi Jones’s The Toilet / Theatre Journal 28 : 69 ~ 78
Artaud, Antonin / 1968 / The Theatre of Cruelty, In The Theory of the Modern Stage: An Introduction to Modern Stage and Drama / Penguin Books : 55 ~ 79
Baraka, Imamu Amiri / 1964 / Dutchman and The Slave / Morrown Quill Paperbacks
Bigsby, C. W. E. / 1985 / A Critical Introduction to Twentieth-Century American Drama 3: Beyond Broadway / Cambridge UP
Brady Own E. / 1976 / Cultural Conflict and Cult Ritual in Leroi Jones’s The Toilet / Theatre Journal 28 : 69 ~ 78
이 논문의 저자 정보
최근 본 자료
댓글(0)
0