메뉴 건너뛰기
.. 내서재 .. 알림
소속 기관/학교 인증
인증하면 논문, 학술자료 등을  무료로 열람할 수 있어요.
한국대학교, 누리자동차, 시립도서관 등 나의 기관을 확인해보세요
(국내 대학 90% 이상 구독 중)
로그인 회원가입 고객센터 ENG
주제분류

추천
검색

논문 기본 정보

자료유형
학술저널
저자정보
저널정보
대한영어영문학회 영어영문학연구 영어영문학연구 제41권 제4호
발행연도
2015.1
수록면
65 - 88 (24page)

이용수

표지
📌
연구주제
📖
연구배경
🔬
연구방법
🏆
연구결과
AI에게 요청하기
추천
검색

초록· 키워드

오류제보하기
Frederic Jameson argues that “Third-world texts, even those which are seemingly private and invested with a properly libidinal dynamic—necessarily project a political dimension in the form of national allegory.” Mohsin Hamid's The Reluctant Fundamentalist is a fine example of what it means to be an allegorical novel belonging to the third-world: it is a love story that not only addresses a libidinal dynamic between two lovers but reflects and allegorizes Pakistani culture and society. Jameson’s “sweeping hypothesis,” however, needs to be qualified before being applied to Hamid’s novel, for the novel is not merely about the third-world culture and society but about between Pakistan and United States, between the third-world and the west. Its allegory is of a global dimension exceeding what Jamesons calls “national allegory.” The love story the novel presents is indeed not between two Pakistani couple but between a Pakistani man named Changez and an American woman named Erica. It appears that a “libidinal dynamic” between Changez and Erica is meant to be an allegory of what happens between Pakistan and America. The couple’s inability to forge a genuine love stages a drama in which turbulent relationship between the third-world and the West represented by America in the wake of 9/11 is highlighted. The novel becomes a powerful counter-discourse to fight back the dominant discourse regarding 9/11.

목차

등록된 정보가 없습니다.

참고문헌 (25)

참고문헌 신청

함께 읽어보면 좋을 논문

논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!

이 논문의 저자 정보

최근 본 자료

전체보기

댓글(0)

0