지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Tennessee Williams’ Cat on a Hot Tin Roof shows a family living on a big plantation in a 1950’s capitalistic America, focusing on the family's material greed, self-consciousness on heterosexuality and homosexuality, and the social cognition about sexual identity. This paper is based on the premise that Big Daddy tried to redefine heterosexuality and homosexuality, and influenced Brick to confront his own sexual identity problems. It seems that Williams let his characters discuss sexual politics on stage as part of an effort to avoid political pressure about homosexuality. In order to defend homosexuality from social condemnation, Williams used correlations between Big Daddy and Brick, Brick and Maggie, and the Goopers. Conflicts between homosexuality and heterosexuality are organically exposed through psychological or active mechanisms, such as a characters’ intimation, concealment, and violence. Examining the process of self-consciousness and common social ideals concerning sexual identity, we can verify sexual discourses and resistance under a politically exclusive 1950's American society.
목차
등록된 정보가 없습니다.
참고문헌 (20)
참고문헌 신청
Badinter, Elisabeth / 1992 / XY : De L’identite Masculine / Editions Odile Jacob
Beauvoir, Simone / 1952 / The Second Sex / Alfred A. Knopf
Bigsby, C. W. E. / 1992 / Modern American Drama 1945-1990 / Cambridge UP
Boxill, Roger / 1987 / Tennessee Williams / St. Martin’s Press
Clum, John M / 1992 / Acting Gay / Columbia UP
Beauvoir, Simone / 1952 / The Second Sex / Alfred A. Knopf
Bigsby, C. W. E. / 1992 / Modern American Drama 1945-1990 / Cambridge UP
Boxill, Roger / 1987 / Tennessee Williams / St. Martin’s Press
Clum, John M / 1992 / Acting Gay / Columbia UP
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